The dirty ‘M’ word – Marketing

by Mikhaeyla Kopievsky

Writing a book is a mammoth task. Editing, re-editing, revising, polishing, revising, (did I mention revising), and pouring over word selection, sentence structure, and punctuation line-by-line is harrowing. And then, if you are an indie author like myself, there is marketing.

Marketing sounds like such a dirty word. I blame that on all those prim and proper writers in their pure ivory towers whose fingers would never deign to touch a marketing strategy let alone draft one… Just kidding. Kind of.

Truth is, there is a perceived touch of the uncouth – the unpalatable – about an author spending time on anything but penning beautiful prose to paper. A (dangerous) stereotype has been born that equates author authenticity with a very limited skill-set (or focus). We want our authors to be creatives – to focus on the words and leave everything else to the ‘professionals’.

But I have never been one to play to stereotype, or expectations, so being an indie author suits me just fine. I’m also a bit of a control freak – my authenticity is intimately tied to my vision for a book, a series, a character… And I want to control how those things are presented – to you, to my readers, to the world.

And that brings us back to the dirty ‘M’ word. Marketing.

As humans, we market ourselves every day – how we dress, what car we drive (or don’t drive in favour of public transport), what words we use, what words we place emphasis on, who we associate with, what we choose to comment on (and not comment on), what posts we promote and tweets we retweet. We don’t think of it as marketing – it’s just our way of communicating our identity.

That’s how I see book marketing. It’s less a manipulative capitalistic venture designed only to pull dollars from weary pockets and more an introduction. It’s a chance to introduce the identity of a book, or a series, or a character. It’s a chance to match-make – to pair one thing of unique interest and beauty with a person of unique taste and desires.

And like match-making, which can end in disaster as often as true-love (probably more so), marketing is a tricky art to master.

Recently, in the process of finalising Rebellion (the second book in my Divided Elements series), I tried to contact the cover artist who had created the beautiful cover for the first book, Resistance. After multiple attempts, and with a looming publication deadline, I had to start my search for a new cover artist.

This was a tough undertaking – so many readers loved the original cover and (as the cover of my first ever published book) I had also developed an attachment to it. It took me forever to find an artist that I was comfortable to approach, and even then I was skeptical I would end up with a cover that was as imaginative and original as the first.

I shouldn’t have worried.

I first contacted Ethan Scott, an independent artist himself, on the basis of a striking cover he had imagined for HG Wells’ ‘War of the Worlds’. It was the closest thing I had found to capturing the tone and genre and audience of Divided Elements. I told him about my series, gave him some general parameters, and asked him to come up with something striking.

And then he started working on it. And what he came up with was beautiful. Different from the original – as it should be – but still capturing the abstract illustrative style, the theme of a fractured identity, and the singular focus on a strong and independent female protagonist.

This new re-imagining of the series – this new representation of its style and content – is like a re-introduction. Like updating your profile, or putting on a new shirt, or using a new word to describe yourself. Sometimes it’s an improvement, sometimes it’s a detraction, and sometimes it is just different. But, each time, it is an evolution.

I’m so proud of this evolution of Divided Elements – it’s like the visual has caught up to the original vision of this series, that it speaks more honestly to its character. And I’m so pleased to share it with you. To re-introduce you to this world that I have loved crafting (and will continue to craft).

So, here they are – the re-imagined cover of Resistance (Divided Elements #1 and the new cover for Rebellion (Divided Elements #2). Both books are available now for purchase and, if you want to stay up to date with the progress on Book 3 and gain access to exclusive offers and content, you can sign up to my ‘author updates’.

Divided Elements - Book 1 and 2

 

LIKED THIS? WANT MORE?

Discover the Divided Elements series now with award-winning Resistance (Divided Elements #1) and just-released Rebellion (Divided Elements #2). Available as paperback or ebook on your favourite device. Just click to start reading!

Divided Elements - Award-winning speculative fiction

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The dirty ‘M’ word – Marketing

Fiction & Fashion

by Mikhaeyla Kopievsky
Recently I was browsing through pinterest, looking for images that would help to crystallise my ideas for my main characters and the elemental world they inhabit. About half an hour into this exercise, I realised that I was increasingly drawn to fashion pins – and that got me thinking, how important is fashion to a fictional identity?
In more visual media – television, film, games – fashion is a very distinct and defining feature; think Dean Winchester, Queen Amidala or Lara Croft…. (I really hope you all came back to finish reading this post after feasting on all of that eye candy…) 🙂
But books? How does fashion help to define a character? Aren’t their thoughts and actions and relationships better vehicles for understanding and relating to them?
It may seem easy to pass off fashion as frivolous, but think about how you and your friends, family, neighbours and colleagues dress. Fashion – from the clothes we wear, the jewellery that adorns us and the tattoos that are inked into us – is our primary statement about how we want the world to see us. In any given day, we may speak to a handful of people, we will share our innermost thoughts with even less – but with our fashion choices we speak to everyone who sees us.  Our choices scream our individuality (or lack thereof), our confidence levels, our mood, our personality.
Romance novelists understand this (either that, or just love to express their own fashion fetishes) – and many use it to emphasise particular character elements or create another personality layer. But fashion references (subtle or otherwise) need not be exclusive to one genre – I think it has a lot to offer speculative fiction as well.
Yes, steampunk and cyberpunk come already with their fashion milieu, but utopian and dystopian fiction can also utilise the power of fashion. Both utopian and dystopian worlds are strongly visual in their narrative – particularly in an architectural sense – and I think this opens up an opportunity to extend this design element to fashion. Like landscape description – strategic placement and relevance is key – but done well, fashion could provide another avenue through which we come to know our most loved (and hated) characters…
Fiction & Fashion